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Welcome to the indiepop.co.uk music reviews section. Click on the links below
to view all our information on the current best-selling records.
We have descriptions, reviews, tracklistings as well as various prices and similar items.
 Chinese Democracy Guns N Roses
I just listened to this on myspace (for some reason they're letting us hear the whole album!) Now, that's confidence! And they have a right to feel confident as this album is brilliant. Forget the fifteen years that it's taken to release this CD and judge the material on it's own merit. Axl has grown up and produced some great rock / metal songs and a few amazing ballads. Madagascar, Better and... |
 Black Ice AC/DC
Such are the near-generational gaps between latter-day AC/DC albums that it's always tempting to hail the arrival of a new one as a return to form. Black Ice arrives a whopping eight years after the band's last offering, Stiff Upper Lip, but one chorus into "Rock N Roll Train", the wise man would conclude that any evolution here is as slow and incremental as, well, evolution. A punchy,... |
 Dark Horse Nickelback
Nickelback are back! With perhaps a hastily pushed out product, that ultimately proves to be listenable too and will no doubt have me and countless others head banging at the live shows.
This album generally works for me including some of the most purile lyrics I have heard in recent times. However its Nickelback not Pulitzer!
The songs are still fun and obviously fun was... |
 Back in Black AC/DC
The death of the lead singer would spell the end of most bands. But most bands aren't AC/DC. After Bon Scott's overindulgence in alcohol lead to his undignified end, lead guitarist Angus Young and Co. simply found a singer that sounded exactly the same and carried on. The result: Back In Black, the most successful album of their lengthy career. Like every other AC/DC album, it doesn't deviate... |
 Death Magnetic Limited Edition Metallica
As many of their early fans would agree, Danish-Californian quartet Metallica seemed to lose it around the mid 90s. Dropping the hard-nosed, blue-collar appeal they had cultivated with their initial slew of albums, the band began to pander to a more commercial audience with diluted outings such as Load, Re-Load, Garage Inc.--not to mention 2003’s risible St Anger. Death... |
 All the Right Reasons Nickelback
Nickleback haven’t made it this far by throwing their audience difficult curveballs, and All The Right Reasons--the Canadian quartet’s fourth full-length--continues their run of uncomplicated, testosterone-soaked hard-rock albums without a wobble. Frontman Chad Kroeger still approaches the act of songcraft like he’s chopping wood, grunting and sweating under the weight of gritted-teeth... |
 The Platinum Collection: Greatest Hits I, II & III Queen
What once seemed Queen's greatest liabilities--a preening flamboyance and pompous, overwrought theatricality--have ironically become their most enduring charms in a grey, postmodern pop-music landscape. While it eschews the glammy, pre-punk hard rock of live faves such as "Stone Cold Crazy" and "Tie Your Mother Down" for the band's more quirky club-beat string of latter-day hits , this 51-track triple-CD... |
 Greatest Hits Guns N' Roses
If time is the true test, then Guns N' Roses' Greatest Hits confirms that they really were one of the greatest rock & roll bands in the world. While, in retrospect, fellow graduates of the class of 1987 are about as cool as poodle perms and spandex, the LA bad boys still rock like gods. Listening to the sun-drenched chords of "Paradise City" and the ensuing stadium-sized swagger is enough to... |
 Highway to Hell AC/DC
What Highway to Hell has that Back in Black doesn't is Bon Scott, AC / DC's original lead singer who died just months after this album was released. Scott had a rusty, raspy, scream of a voice, like he might break into a coughing fit at any moment. In other words, on crunchy, hook-heavy metal classics like the title track and on "Get It Hot" which is more roadhouse rock than metal, he... |
 All Hope Is Gone Slipknot
For most bands, the process of experimentation involves infusing more traditional song structures with weirder, or less familiar sonic elements. Not so for Iowa’s Slipknot. All Hope Is Gone, the metal neuftet’s fourth full-length, finds them further mining the seam that produced 2004’s Vol 3: The Subliminal Verses, adulterating their caustic, percussion-heavy take on thrash metal... | |
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